FP Habano 98

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I smoke a lot of bundle and “bargain” cigars this time of year because I don’t have the luxury of a man cave, an air-conditioned garage, or a wife who doesn’t give a damn. She does, so I don’t smoke inside the house. And around the time I emerge from the domicile to sneak an evening cigar the thermometer is just dipping below 100 degrees, so it’s either something short, or something cheap that I can toss after half an hour. Either that or I go back into the house looking like Fred Biletnikoff after the Super Bowl. (Sorry to get old school on you youngsters out there, but if you’re old enough to smoke you’re old enough to watch ESPN Classic.)

That is not to suggest that the FP Habano 98 is a second class citizen. It is in fact a bundle cigar made by La Tradicion Cubana for Fuller’s Pullers in Madison, Wisconsin, and it’s available for about two bucks a stick. The torpedoes are 6 1/2 inches long and the barrel of the cigar is a 52 ring gauge. The wrapper is a Nicaraguan Habano 98, which I think is a criollo leaf, and the filler is a Nicaraguan and Dominican blend.

This is a decent looking torpedo with a moderately dry wrapper and a somewhat odd looking head. It’s well constructed, and when the tip is clipped it draws perfectly, but the head is sort of lumpy and crooked, like the crown of a crumpled wizard’s hat.

But it burns straight and tastes pretty good, which in the bargain category makes it a winner from the start. It’s a mild cigar which builds at the mid-point to a medium body. The wrapper imparts a pleasant aroma of cedar and spice which hints at what the LTC robusto offers, but the FP H98 doesn’t have the same depth or complexity. (Nor would I expect it to.) The flavor is straightforward mild tobacco with a woody character up to the half-way point where it takes on a tinge of soot. At the two-thirds point the flavor gets muddier and it’s pretty much downhill from there. Like most bundle cigars I find this one is best smoked to the 50 yard line. Beyond that point and you’re on your own.

This is a pretty good cigar for a couple bucks. If you’re in the market for a high quality mild econo smoke it’s worth a look. If there’s another cigar with a wrapper this good selling for under two bucks it would definitely pique my interest.

La Tradicion Cubana Robusto

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From Miami’s Little Havana comes La Tradition Cubana’s eponymous cigar in a robusto format. I smoked the Sabor Cubano a couple weeks ago and was very impressed, so I couldn’t wait to get my hands on a few of these. This is the original flagship cigar for Luis Sanchez, who started La Tradicion Cubana in 1995. (More info about the company can be found on the Sabor Cubano post.)

This standard size robusto comes equipped with an Ecuadorian wrapper, a Honduran binder, and filler from Nicaragua and the DR. Each cigar is wrapped in cedar before being packed in boxes of 25.

The LTC robusto is a solid stick with a uniform and nearly flawless claro wrapper. The cap is solid and well formed but a little jagged around the edges. A quick pre-light whiff reveals some grassy scents with a dose of barnyard.

The draw seems a little tight on these, but this didn’t really affect the cigar’s performance. A good volume of smoke was forthcoming; it just took a little more effort than I usually care to exert. The flavor of the first third was straight forward clean tobacco, with a smidegeon of pepper. The burn is fairly even thoughout and it leaves a solid ash. (Some reviewers have noted a flaky ash, but this was not my experience.) This is a mild bodied cigar with a mild to negligible aftertaste.

What is notable about this cigar is an outstanding aroma: it starts up with some pleasant cedar elements, but by the mid-point of the cigar the smoke is gloriously spicy. The woody theme continues from here, but it picks up something that almost smells like sandalwood. It’s quite a powerful scent which is nicely balanced by the mildness of the flavor. Unfortunately the flavor seems to wane after the mid-point and goes from slightly peppery to somewhat papery.

The LTC Robusto is worth a test drive if you enjoy mild but highly aromatic smoke. And like all of the cigars from La Tradicion it’s very reasonably priced at around 75 USD per box. The only downside is the mildness: if there were a little more steel to this stick I think I’d have a new goto cigar.

Por Larrañaga “Cuban Grade” Robusto

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A couple months ago I reviewed one of the many cigars proud to call themselves Por Larrañaga, the “Honduran Blend” made in the Flor de Copan Altadis factory, as advertised, distributed and sold by JR Cigars. Well, here we have another Por Larrañaga cigar, made in the same Flor de Copan factory (unless Altadis operates more than one there) but this time blended and distributed by Cuban Imports (who also make the new H. Upmann Signature.)

Is it just me, or would it have made sense to market this cigar under a different name? How many PLs do we need?

Furthermore, if it is absolutely necessary to recycle an old Havana trademark, I would like to suggest one of these from my list of favorites:

  • Caruncho (also Flor de Caruncho)
  • Flor de Pedro Rogers
  • Frank Halls
  • His Majesty
  • La Indiferencia
  • La Flor de Santa Gertruda

(Courtesy Perleman’s Pocket Cyclopedia of Havana Cigars)

The Cuban Grade PL, like the Honduran Blend, has an Ecuadorian grown Connecticut Shade wrapper (though there is also a San Andres maduro available) but instead of Honduran filler the Cuban Grade employs a Mexican binder and a Honduran/Dominican filler blend. The robusto is a standard 5 x 50 in size and sells for around 5 USD retail.

The wrapper on this robusto is a very smooth golden brown with some ripple in the veins. The roll is solid, and after clipping the cap I found the draw to be free and easy. The prelight scent is grassy with a little earth, which in this case was an accurate predictor of what was in store for my palate.

It starts up with a mild earthy flavor and a somewhat floral aroma. This cigar is billed in some places as mild to medium, but it really never gets close to medium in my opinion. The flavor builds a bit and grows a little sweeter toward the mid-point, while the aroma maintains its floral focal point. This cigar has good flavor intensity for a mild-bodied cigar, but it will not satisfy a full-bodied appetite. It leaves a slightly earthy aftertaste that gains a substantial but short finish by the end of the cigar. The burn is very good, even and trouble-free, leaving a solid dirty-gray ash with black streaks. Despite its light flavor and mild body this cigar has a lot of character and a fair amount of complexity.

This lightweight contender has a lot of heart. I’m not so sure about “cuban grade,” but with the rippled veins, streaky ash, earthy flavor profile, and floral aroma I might be persuaded that it was modeled on a very very light version of the Cuban Romeo y Julieta.

But as an old gardener I used to work with would say when I suggested something audacious, like taking a break or something, “Maybe on a Tuesday, sonny.”

Chateau Fuente King B

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The Chateau Fuente King B is a large Belicoso — hence King B — but hiding quietly behind this name is a memory of a place in Ybor City, Florida, where cigar makers used to gather to smoke and play dominoes. Carlos Fuente, Jr. remembers when he was a child that the King B was a sort of tavern for the locals in the industry located behind his grandfather Arturo’s house. The King B no longer exists in Ybor City, having been lost to time and the development of a highway, but its memory has been enshrined in the name of this cigar.

The Chateau Fuente King B debuted at the RTDA in 2005 as a limited (though not really rare) addition to the Chateau Fuente line. All of these cigars are notable for their sun-grown Ecuadorian wrappers and distinctive black ribbons. The filler and binder are Dominican, but that’s all the detail we’re going to get about the composition of this coveted cigar.

This is the fifth entry in the Chateau Fuente series, joining the standard rothschild, toro, and double corona sizes. (There is also a smaller 5.75 x 52 Cuban Belicoso.) The King B is 6 inches in length by a 55 ring gauge and like the other Chateaus it comes in a cedar sleeve. They’re packed 18 to the box and sell for around 8 or 9 USD by the stick.

Beneath the cedar this torpedo reveals a smooth rosado wrapper with the widely spaced veins typical of Ecuadorian leaf. The roll is solid and the cap is a perfectly finished point. There are some small dots of what I think is sap from the cedar sleeve on the wrapper. They aren’t large enough to worry about though, so after a few moments of admiration I clipped the tip to an aperture of about half an inch.

The draw is excellent and the burn was even all the way to the band. I expect great construction from Fuente, and that’s what I got. No complaints there.

This sturdy belicoso starts up with a delicate and woody aroma that lingers for the duration of the cigar. At first it doesn’t seem quite as strong as the aroma of the rothschild size, but the King B takes a while to warm up. The intial flavor is unremarkable — mild straightforward tobacco, pleasant but nondescript. I was a little surprised by this, but I continued to enjoy the sweet cedary aroma rising from the foot and gave it some time.

About half way through the cigar it becomes a little more flavorful, slightly tannic, with very little aftertaste. The smoke is medium in body and has a pretty good nicotine kick, but so far is lacking the flavor to match.

At the two thirds point, the spice and pepper that I expected (based on the other sizes in the Chateau series) finally kicked in. It’s not what I would call complex, but it’s a little more than the simple nutty Dominican tobacco flavor I was getting up to that point. The tannins started to build in the last stretch so I removed the band and after a few more desperate puffs I put the butt to bed.

I have to say I was mildly disappointed in this cigar. I really enjoy the rothschild size in this line and I was expecting something along those lines but BIGGER. Instead what I found was a slow starter with a similar but flatter flavor profile. Same great aroma, perfect construction, but not the royal figure I expected to find. Not the King, in any case. Maybe the very amiable young Prince trying out the crown and scepter.

Dos Capas or “Barber Pole” Cigars

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Dos Capas (two wrappers) cigars are usually relegated to the novelty bin with giant cigars, culebras, and odd figurados like Drew Estates’ Egg and Fuente’s chili pepper cigar. They’re not the kind of cigar I go out of my way to smoke or collect, but I was digging through the cheapodor the other day and noticed a Sherpa Mystic Dos Capas lying quietly in the bottom layer. I thought I had another Dos Capas somewhere in there and, after a little more excavating, I found a Beethoven Duet from Armando Ramos. Both of these cigars have been lounging with the bundle smokes and yard gars for over a year now, so I thought it was time enough to fire them up and see what they have to say for themselves.

These are both toro sized cigars at 6 inches long and a 50 ring gauge. They’re similar in appearance, except that they appear to be rolled in different directions. (The direction is just a function of which side of the leaf – right or left – was used by the roller to finish the cigar.) But appearances aside, I was more interested in how the flavor might be affected. I was particularly interested in the Sherpa because the wrappers are fairly distinctive in aroma and flavor — the light leaf is Cameroon, and the dark is Brazilian maduro. The Beethoven uses Connecticut “claro and maduro,” which I take to mean CT Shade and Broadleaf maduro.

The Sherpa Mystic is made by Carlos Torano for K. Hansotia (of Gurkha fame) and employs a Dominican and Nicaraguan blend in the binder and filler. Sherpa is Hansotia’s bargain line, selling for around 50 bucks for a bundle of 25, so I wasn’t expecting to be amazed. What I found was a mild bodied well constructed cigar that starts out with a sweet and nutty flavor. I picked up just a tinge of the exotic spice that Cameroon often evokes. There was a pleasant sweetness to the smoke that reminded me more of a mild maduro than Cameroon; it may very well be that the maduro wrapper simply outplayed the Cameroon here. I noticed that there was no detectable difference in ash color; regardless of which leaf was burning, the ash was a very uniform light gray. Like other Sherpas I’ve smoked, the Mystic started to get bitter at the fifty yard line. At the two- thirds point, or shortly before that point, I got tired of it and decided to let it cool in preparation for a post-mortem examination of the wrapper.

From what I could tell (imperfectly, because I was looking at about three inches of a very dry wrapper leaf that kept cracking and crumbling in my fingers) the Cameroon appeared to be the inner wrap and the maduro was on the edge of the roll.

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The Beethoven Series is produced by Armando Ramos, but these cigars are not the first to bear the name or the stern visage of Ludwig van. The relic shown above is an artifact of the E.A. Kline cigar company, which operated in Tampa from 1903 to around 1909.

The Ramos line of cigars is somewhat newer than Kline’s, having been introduced in 2004. A fancy piano-shaped box for Beethoven cigars appeared in 2006, but I have yet to actually see one first hand. As mentioned before, the duet here is a two-part harmony performed by Connecticut Shade and Maduro Broadleaf, with binder and filler from Ecuador and Honduras.

This is a much more substantial cigar than the Sherpa Mystic. It is medium to full in body and exhibits perfect construction. The Beethoven Duet starts up with a very slight bite and quickly mellows to an earthy flavor with a sweet aroma. The ash on this cigar is so tight that I could have smoked the whole thing without tipping the ash but once, maybe twice. Towards the midpoint of the cigar it evolves a leathery core with sweet accents of caramel, and the smoke texture is buttery smooth. This cigar turned out to be a surprise treat. I picked it up for the sheer novelty of the wrapper, but I would buy more for the flavor and construction. I have to mention that this cigar spent over a year in the humidor after I purchased it, so the extra aging might have really paid off.

So, are Dos Capas cigars just gimmicks pure and simple, or is the combination of two different colored wrappers a legitimate blending technique? Both the Sherpa Mystic and the Beethoven Duet are decent cigars (though the Beethoven is far better, I think) and the flavor and aroma of both are basically mild maduro. The Sherpa shows a little of the spice from the Cameroon (though not much) and the Beethoven Duet has the creaminess of Connecticut Shade in addition to the maduro sweetness. So I have to say that in the final analysis both wrappers add a little something to the blend. So based on my rigorous scientific method of smoking two cigars and pronouncing my opinion, I’m going to wager that it’s more than just a gimmick. But as always, further testing is recommended!

La Aurora Preferidos Robusto

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La Aurora Preferidos were first released in 1998 as a tribute to the first cigars produced by Eduardo Leon Jimenes at the beginning of the twentieth century. They were perfectos called “preferidos,” and indeed almost all of the cigars in the current Preferidos line are perfectos as well. This Cameroon robusto is the one exception. In late 2005 La Aurora saw that there might be a call for a parejo size using the preferidos blend, so they released this robusto in a limited edition of 1200 boxes for the holiday season.

Many of these cigars come in perfecto-shaped aluminum tubes to highlight the premium quality of the Preferidos line. The Cameroon line is the platinum colored one, though they are available nude as well. (I suppose the tube is nice for traveling or if you’re giving the cigar as a gift. Otherwise, it’s an expense I can live without.) There are four other versions available: the Corojo (gold) ; Connecticut Shade (sapphire) ; Connecticut Broadleaf Maduro (ruby) ; and Ecuadorian Sumatra (green.)

The wrapper here is Cameroon, of course; the filler and binder are Dominican, with the binder being piloto cubano. The tobacco for Preferidos is properly aged for two to three years, then aged for several months more in rum barrels. Each cigar is then rolled by a single roller and the finished cigars rest for six months in aging rooms. Finally, the cigars are ready for market.

This is a well rolled cigar with a slightly oily wrapper. The prelight scent is cedar all the way. After clipping the cap I found the draw to be very loose, but after smoking for a few minutes I learned that this did not affect the burn, which was slow and cool. Cameroon is a delicate wrapper and in my climate here in the desert Southwest I find that it almost always cracks as soon as I light up the cigar. This was the case here as well, but it didn’t really affect the performance of the cigar. There was no unraveling, just some unsightly wrapper peels that I was able to ignore by turning the cigar around.

It starts up with the sweet and spicy aroma typical of authentic African Cameroon. Getting a good whiff of this stuff is a sinus surprise, and it kept my nose tingling from start to finish. A very nice Cameroon that is a bit sharper than most, with a little pepper mixed in with the expected baking spices. The initial flavor is woody, somewhat dry, and the smoke texture is creamy smooth.

After an inch or two the sharpness of the Cameroon is blended in with the rest of the cigar and the result is a pleasantly complex smoke. By the mid-point it becomes a little salty and there’s a tartness that vies with the Cameroon sweetness, creating an interesting balance. It reminds me of a really good glass of India Pale Ale — the hoppiness is aromatic, like the wrapper here, while the body of the beer is lip-smackingly astringent. If the proper balance can be achieved, as it is here, this is a killer combination.

The down side to this cigar is the price: about ten bucks a stick or $175 by the box. This is a nice cigar, but my trusty Torano 1916 is comparable in terms of flavor and balance and costs about a hundred bucks less. If a C note is no big deal for you, go for it. The Preferidos robusto is a great cigar, but not for those on a budget.

Sabor Cubano Petite Torpedo

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Sabor Cubano is a product of La Tradicion Cubana, owned and operated by Luis Sanchez in Miami’s Little Havana. Sanchez comes from a family with roots in Cuba’s pre-revolutionary cigar industry, and his tabaqueros are veterans of Havana’s galeras, some with more than twenty years experience rolling cigars in the traditional Cuban fashion.

La Tradicion Cubana got its start in 1995 using blends that were inspired by Sanchez’s grandfather. Sabor Cubano — La Tradicion’s maduro entry — was first released in 1997.

Sanchez is obviously very proud of the maduro used in this blend, repeatedly noting (on La Tradicion’s website and elsewhere) that the wrapper is processed in an entirely natural fashion. (Some of the maduro cigars I’ve smoked recently have made me wonder, like Spinal Tap’s Nigel Tufnel, “How much more black could it be? And the answer is… None. None more black.” And while these cigars haven’t stained my lips or fingers, they have raised some suspicions… but I digress.)

The maduro wrapper employed here is from Mexico’s San Andres valley. By the time it is used in the Sabor Cubano it has been aged for five years, and is accompanied by a binder from Ecuador, and filler from Nicaragua and the Dominican Republic. La Tradicion makes some huge cigars; the standard La Tradicion line includes a gigantic pyramid that comes in at 8 1/2 inches by 80 ring gauge, and they are also the makers of The Big One, perhaps the largest cigar made for non-Guinness breaking purposes. It measures 12 inches long by a whopping 192 ring gauge. Wow.

At only 5 inches by 54, the Petite Torpedo is a veritable dwarf by comparison. The wrapper is not quite oscuro, but most definitely maduro. It has a rough texture, glistens with oil, and prelight the scent is bright and grassy. It smells very much like the few fresh rolled cigars I’ve had the pleasure to smoke. After snipping the tip I found a perfect prelight draw and a touch of pepper on the tongue.

This little guy smokes like a champ. Trails of white smoke wisp from the head of the cigar after every puff. I love that. It doesn’t burn perfectly evenly (what maduro does?) but otherwise I’m very impressed with the construction here. It starts up with a peppery flavor that has a slight bite to it without being truly sharp. The texture of the smoke is smooth and rich, and the aroma is sweet with woody spices.

I’d characterize this cigar as medium in both body and strength. It’s full flavored, but with a short finish and little aftertaste. What really sends me over the edge is the aroma from the wrapper — it’s far more complex than the last two double maduros I’ve reviewed. There’s a bit of char towards the end of the cigar, which is what typified the MX2 and the SLR Serie G, but the Sabor Cubano offers the sweetness of maduro without that carbonized flavor overtaking the softer notes. It’s a more balanced aroma, and in my opinion, a superior smoke overall.

La Tradicion is a boutique brand, but their prices don’t reflect that. Boxes of the Petite Torpedo go for around 75 dollars — well worth it; in fact I’d call that a steal. With a recent expansion to the Dominican Republic the company may be looking to go big, which puts fear into my stogie loving soul. I have a few other blends from the Calle Ocho shop to try, and if they’re as good as the Sabor Cubano I’m going to be eying a certain closet in my house for its humidor potential.

Partagas Black Maximo

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It seems fitting to follow up a review of Macanudo with a review of a Partagas cigar. In a lot of ways Partagas is the rougher tougher sibling of Macanudo, but they share a common heritage. Cuban master Ramon Cifuentes was the man who developed both of these cigars, though he will always be remembered for Partagas in particular because he and his family before him owned the Partagas factory in Havana before the revolution.

Fidel Castro offered Cifuentes command of Cuba’s nationalized cigar industry in 1961, but for obvious reasons he refused. (Let’s see here. You take away my property and my livelihood and then you offer me a job managing it for your government? No thanks.) Instead Cifuentes went to Connecticut where he was soon working for Edgar Cullman and General Cigar. Cullman put him in charge of General’s operations in Jamaica, where Cifuentes would raise Partagas again, like a phoenix from the ashes, in a new Jamaican form.

In the mid-1970’s General released its Cifuentes engineered Partagas with a Cameroon wrapper. But the extra load placed on the Jamaican factory where Macanudos were also being produced resulted in friction with the labor unions there and a move to the Dominican Republic was soon in the works. Today Partagas (as well as Macanudo) in all their various forms are manufactured by hand in the Dominican Republic.

The Partagas Black Label is a relative newcomer to the General family of cigars. Released in 2001 in response to the demand for full-bodied cigars, Cifuentes protege Daniel Nunez blended this cigar to appeal to fans of maduro and spice. The highlight of the cigar is a jet black sun grown medio tiempo Connecticut broadleaf wrapper. Medio tiempo leaves are the highest leaves on the tobacco plant, the last ones to be harvested. Medio tiempo broadleaf is tough stuff, grown to withstand the rigorous fermentation process that renders it this rich dark shade.

Nunez uses a specially sun grown Dominican binder called “La Vega Especial” and the filler is a blend of Nicaraguan ligero and Dominican piloto cubano. Interestingly, La Vega Especial is used as the wrapper on General’s version of Ramon Allones cigars.

Unlike Macanudo, which is known for its rock solid consistency, I have found the flavor of Partagas Black to vary depending on the size and the age. Most bold and spicy cigars will mellow with age, and I have found that to be the case with this one as well. The pair of Maximos I smoked for this review had been aged for about a year, and were several degrees less spicy than other Partagas Blacks I’ve smoked in the past. Whether this is because of the size or the age, I’m not sure, but I was surprised nevertheless.

With Nicaraguan ligero and piloto cubano at the core and a medio tiempo wrapper, this should be a powerful smoke. And while they were tasty, full of sweet char and a pleasant woody base flavor, I didn’t find them all that spicy. A little chocolatey, a little coffee beaney, but not spicy. Actually, they were quite smooth, and to be honest I preferred these Maximos to my previous experiences with the Black Label. A couple years ago I tried the Black Label and found the pepper overwhelming and way out of balance with the rest of the blend. Today these moderately aged Maximos are powerful enough to keep my palate interested, but not so much that I can’t kick back and savor the other flavors and characteristics of the cigar. Additionally, the rich maduro taste is helped out by a leisurely and even burn.

I’m going to have to pick up a few more of these from the B&M in different sizes just to satisfy my curiosity. They’re reasonably priced and despite the varying levels of spice and intensity they’ve all been fine smokes. Maximos come in aluminum tubes, so maybe that has something to do with the relative mildness of the cigar. Who knows? I guess I will just have to commit a few more Black Labels to the fire in the name of research to find out.

Macanudo Cafe Lords

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Don’t laugh. It’s only a Macanudo, the best selling cigar in America. The reasons for this are many — tradition, consistency, perhaps the mediocrity of the common denominator — but the fact of the matter is that if cigars were running for office, you’d be looking at the President. So I thought I better check it out.

Macanudo has a Jamaican history with British roots that today is a paragon of mild Dominican cigars. The first Macanudo was actually a Cuban Punch that was made in Jamaica. During World War II the British wanted to keep as much of their hard currency contained within British holdings as they could, so trading with Cuba was out. As a British possession Jamaica was open for trade, so some Cuban cigar makers went to Jamaica where they made cigars using Havana leaf for the English market. And so the first Macanudo was born as a frontmark for a Fernando Palacios Punch.

Its English roots are also born out in the names for the various sizes of Macanudo — Duke of Wellington, Prince of Wales, Tudor, Hyde Park, etc. In fact it was the Duke of Windsor who is credited with bringing the term “macanudo” back with him from a polo trip to Argentina. The word is Argentine slang for “excellent” or “cool.” It’s a somewhat dated term, but it’s still in use, and from what I can tell it is generally used to describe people, so I think “cool” is probably the closest translation for American English. For the past few years “Macanudo” has also been a very popular comic strip by the cartoonist Liniers that appears in the Argentine newspaper La Nacion.

“Clear Havanas” made with Cuban tobacco already in the U.S. at the time of the embargo were available for sale throughout the early 60’s, but by the late 60’s and 70’s it was getting increasingly more difficult to find premium cigars in the U.S. The few that were around were Jamaican, like Royal Jamaica and Montecruz. So around this time, General Cigar bought the Temple Hall factory in Jamaica and with it the U.S. rights to the Macanudo name. Part of the reason for the success of Macanudo is that they were one of the few premiums in production at the time — they built on the name by producing quality premium smokes and became a standard for the industry as one of the few players in the premium game.

In 1971 General introduced Macaduno to the American public, and for years it held its own as a classic Jamaican cigar. As time went on, however, the Dominican cigar industry began to lure companies away from Jamaica with its quality tobacco and lower cost of labor. Gradually the production of Macanudos was transitioned to the Dominican Republic, with only a few larger sizes being made in Jamaica as recently as 2000, when Jamaican production stopped. Today it is an entirely Dominican made cigar.

The wrapper is key to a Mac: it’s a classic Connecticut Shade, but it undergoes a journey before it crowns the cigar. After harvesting in Connecticut the wrapper leaf is fermented over the winter. Then it is packed up and shipped to the DR where is is fermented a little more. Then it goes back to Connecticut again, for a second “winter sweat.” Finally, it returns to the DR where it is unpacked and mixed with wrapper from the previous year’s harvest and fermented one last time. This must be at least partially the reason for Macanudo’s legendary consistency, as well as the fine taste and aroma of the final product.

At long last the cigar is finally rolled, using a binder from Mexico’s San Andres valley and filler from the DR (piloto cubano) and Mexico. There are over twenty sizes to choose from. This is the 4 3/4 x 49 robusto sized Lords.

I have to say this is a very nice mild cigar. Like many mild-bodied cigars with Connecticut wrappers, I usually admire the aroma more than anything else, and that is the case here as well. It starts up with a toasty, nutty flavor and a beautifully sweet aroma. The flavor is somewhat grassy at times, a little papery at others, but never objectionable. It’s a very clean smoking cigar with very little aftertaste (though some would say, with very little taste either.) The construction was spot on — perfect draw, even burn, the works. It burned a little hot after the mid-point, but I can’t rule out operator error there. I tend to hotbox mild cigars.

I guess there really isn’t too much in a Mac to hold my interest over the long term, but I can see keeping a few of these on hand to give to new smokers. It’s a quality mild-bodied cigar that won’t send neophytes scurrying for the restroom, and at around 3 or 4 bucks a stick they’re reasonably priced as well.

And now that I’ve done my duty as a good cigar citizen and “fair and balanced” stogie analyst, I believe it’s time for something a little stronger.  Lemme see here… that mean looking Partagas Black has my attention. It may get more of my attention here shortly…

Romeo y Julieta Aniversario Robusto

It seems like only yesterday that Inocencio Alvarez and Mannin Garcia set up shop and started rolling cigars named for a romantic tragedy called Romeo and Juliet. But in fact it has been about 132 years now. My how time flies.

An interesting bit of trivia about the Romeo y Julieta brand is that when the brand was purchased by Jose Fernandez Rodriguez around the turn of the century one of the marketing tricks that he used was to offer personalized bands to his regular clients, creating over 20,000 “vitolas.”

So with 20,000 different brands it seems fitting that Altadis USA would release another one for the 130th Anniversary of the label. Of course, the Romeo y Julieta Aniversario cigar is more than just a different band on the same old Romeo; it’s an entirely new blend.

The Aniversario is available in the five standard sizes, but here we have the 5 x 52 robusto. This line features an attractive and tasty Ecuadorian Sumatra wrapper, a Connecticut binder, and filler from the DR, Nicaragua and Peru.

It’s a handsome and well-made stick. The dark blond wrapper is smooth and the cap is carefully applied. A few veins from the binder are outlined throughout the wrapper, but they aren’t distracting. The roll is rock solid, and it feels fairly heavy. The overall impression is one of weight, gravity, and seriousness.

Despite inital impressions, this turns out to be a darling of a cigar. It opens up with a little pepper and a sweet aroma. The smoke texture is full and creamy smooth. After about an inch the base flavor is revealed as cedar, while gentle spice pours from the wrapper. By the mid point there are still some peppery overtones on the tongue, but they are fairly muted and blend well with the woody aspect of the smoke.

The ash is solid but the outer layer flakes a little: not enough to become a nuisance, just enough to look a bit messy. The burn is straight and the draw is firm. Loosen up the draw just a wee bit and I’d call this perfect construction.

The Romeo y Julieta Aniversario is a really nice medium-bodied cigar, clean tasting and sophisticated. It’s a great example of a cigar that is complex in terms of flavor, but not complicated.

There’s enough here to satisfy the veteran smoker and yet it won’t challenge a neophyte. The creamy texture and spicy overtones really won me over. On top of everything else, this is a great example of Ecuadorian wrapper, and the blend that plays behind it is right on the mark. The robustos run around 5 or 6 bucks a pop– a very reasonable asking price for a cigar of this quality.