La Traviata Maduro Divino

CAO’s La Traviata is about the best thing to happen to cigar smokers on a budget since the invention of the coolidor. I took a look at the original La Traviata earlier this year, and I’ve been enjoying them ever since.

This summer CAO released the maduro version of La Traviata, which employs the same filler blend — a Cameroon binder and filler from Nicaragua and the DR — but uses a Connecticut broadleaf wrapper leaf instead of the tradition Ecuadorian Habano.

I grabbed two from a box at the B&M the other day and left in a rush. When I got home I slipped the cello from the sticks and noticed something a little odd: the two robusto-sized Divinos that I had were slightly different shades of dark brownish-black, and one was slightly smaller in ring gauge than the other. Not by much, but noticeably so.

La Traviata Maduro is not mentioned on the CAO website, but it’s safe to assume that the size lineup is the same as for the regular Traviata. And looking at my sales receipt, it appears the pricing is similar as well.

Construction Notes

I started with the lighter and slightly narrower one of the two. The wrapper on this maduro is thick, oily and very toothy. The darker one is especially rich in appearance, but the lighter one is still a highly presentable stick. The roll is solid and the cap is tight. The draw is fairly good — a little loose on one of the sticks, which is why it might have smoked a little hot at the end. The other one was just about perfect though.

The ash is solid gray in color and fairly sturdy, though it crumbled a bit in the ashtray. The burn is uneven, which is typical of thick maduro wrapper, but it never required correction or re-lighting.

Overall construction: Good to Very Good, with some concerns about consistency.

Tasting Notes

I was surprised at how tame the Maduro version of La Traviata smokes by comparison with the natural version. It starts with a touch of pepper, but that fades pretty quickly until it reappears in the final inch. The primary flavors here are classic maduro: bittersweet chocolate and dark roasted coffee bean. Underneath this is a woody foundation with an earthy touch.

The smoke is quite smooth, and not nearly as complex as the natural Traviata. The cigar stays within the standard range of maduro flavors for the duration of the smoke — 35 to 40 minutes — and attempts no major transitions. It’s just a simple, solid smoke.


At around five bucks a stick La Traviata doesn’t really need to make a huge splash, and for me it didn’t. But it’s still a solid performer, and there is always room in the humidor for a reliable medium-bodied maduro at this price.

Final Score: 86

La Traviata by CAO

La Traviata is the Top 25 cigar that didn’t make the cut. So many people noticed that this cigar wasn’t on Cigar Aficionado’s “best of” roster for 2009 that it was thought to be an oversight. The objections were so widespread that CA issued an explanation: the new CAO blend was released too late in the year to be eligible for inclusion in their list. This is how you get attention by being overlooked.

So it’s safe to say that a whole lot of people have been digging this cigar. I finally found a couple boxes at the tribal smoke shop and grabbed a handful for “analysis.”

La Traviata is an old Cuban brand name and an even older Italian opera by Giuseppe Verdi. The opera tells the tragic tale of a consumptive courtesan (la traviata literally means a “strayed woman”) who falls in love, with somewhat predictable consequences.  The first production of the opera was a failure in part because the woman playing the courtesan was hardly consumptive — she was in fact obese — and a close examination of the woman on an old box of Cuban La Traviata reveals a similar misconception. It would appear that the cigar and the opera share little aside from the name.

But the folks at CAO wanted to “harken back” to the era of pre-nationalization Cuba with this blend, so the name fits. On the other hand, I’m a little skeptical that it’s possible to replicate the flavor profile of a late 19th century cigar. (Maybe they have some seriously aged cigar blenders swimming in the factory’s Cocoon pool.)

The cigar features an oily Ecuadorian Habano leaf wrapped around a Cameroon binder and filler comprised of ligero from both Nicaragua and the Dominican Republic. The blend was released late last year in three parejo sizes, and two more have just been announced: a corona gorda and the first figurado for the line, a petite belicoso.

  • Divino – 5 x 50
  • Radiante – 6 x 52
  • Intrepido – 7 x 54
  • Animado – 5 5/8 x 46
  • Favorito – 5 1/2 x 52  (belicoso)

For this review I smoked the robusto-sized Divino, with samples drawn from two different boxes.

Construction Notes

The wrappers on these sticks are thick and oily, though the texture seems to vary from smooth to quite grainy. The color is a very dark colorado maduro, or perhaps even straight maduro. Veins are prominent but not unsightly, and the head is a little irregular but solid. The cap is pasted on, not wound, but shears away nicely.

The roll is rock solid to the touch but the draw is excellent. The ash is solid and the burn is even. All this cigar lacks is the perfect Cuban-style triple cap. Other than that, there’s really nothing to complain about here.

Overall excellent construction.

Tasting Notes

A hard woody flavor combined with a peppery overtone opens this cigar. The smoke is smooth, but a tad tannic on the palate. The sweet spicy aroma reminds me a little of hickory, similar to what I find in Illusione Original Document and other cigars that utilize Aganorsa Nicaraguan tobaccos. The flavor here is not quite as clean as that, but it’s bright and tasty.

The tannins even out in the middle section but never disappear entirely. The foundation flavor remains woody, at times veering to leather. Light caramel-coffee flavors and notes of malt show up in the aroma.

Up to this point I found little to substantiate the Cubanesque aspirations of La Traviata, but in the last third I did find a fleeting muskiness reminiscent of cuban cigars. It didn’t last long, but for those last few puffs about half an inch from the band I could have been fooled. Unfortunately the flavor becomes a little dirty after this point, somewhat carbonized and burnt tasting, but this is after a very eventful three quarters.


Now I understand what the rumpus is all about. This is a dandy smoke. La Traviata is medium to full in body with a rich and complex woody flavor that finishes up with leather and a momentary glimpse of the forbidden isle. All of the cigars I’ve smoked from this line have had rock solid construction and burn beautifully.

But wait! There’s more! CAO has set the price point for La Traviata alluringly low, right around 5 USD per stick for the Divino. I can think of many cigars in the 10 dollar range that pale by comparison to this smoke.  This could be the best buy of the year, and for what it’s worth, I think it’s the best blend CAO is making right now.

Final Score: 90