Avo Maduro Robusto

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The legend of Avo Uvezian, jazz pianist, composer of “Strangers in the Night,” and cigar celebrity, is well known. If you’re in the dark about Avo, it’s quite a story — a brief version can be found in our review of the Avo Domaine, and Zen and the Art of the Cigar has a manufacturer spotlight of Avo that includes a complete rundown of the various Avo blends.

Avo cigars are blended by master ligador Hendrik Kelner of Davidoff, which since 1995 has also owned the brand.

Avo’s Maduro line utilizes the same Dominican binder and filler as the Classic line — the only difference, of course, is the Connecticut Broadleaf wrapper. The Classic line is known for its mild sophistication, exactly what you’d expect from a firm like Davidoff, not to mention the suave character in the Mimbres hat. The Maduro wrapper changes the blend’s profile significantly, adding a little strength and a dose of sweetness.

Six sizes are currently available in the Maduro line:

  • Robusto – 5 x 50
  • #2  – 6 x 50 (toro)
  • #3 – 7.5 x 50 (presidente)
  • #9 – 4.75 x 48 (corona extra)
  • Belicoso – 6 x 48
  • Piramides – 7 x 36/54

The binder and filler leaves are Dominican, mostly from the Cibao valley.

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The wrapper on this robusto is typical of genuine maduro — thick, rough, and a bit chipped in places. It looks a lot more serious than it smokes. The prelight scent is of sweet tobacco with a whiff of compost on the wrapper.  The roll is solid and the cap clips cleanly.

The first flavors to emerge from the Avo Maduro are grassy and sweet. The aroma is rich and chocolaty. The smoke is mild to medium in body and extremely smooth. There is almost no finish and the aftertaste is negligible.

By the mid-point the flavor continues to be mild and straightforward, though it gradually becomes earthier and less grassy. The sweet chocolate on the nose steals the show here while the finish and aftertaste seem to be waiting in the wings.

The last third brings out some toastier cereal-like flavors which combine on the palate with the sweet aroma to create something like oatmeal with maple syrup. It’s an interesting effect, though very mellow in intensity.

The Avo maduro smokes very much like the Classic line — it’s an easy smoking cigar with a very clean flavor profile. Construction qualities here were almost perfect: an easy draw and a perfectly even burn. My only complaint was an ash that had a tendency to crack every inch or so.

This is a cigar I would smoke for its aromatic qualities more than anything else. Paired with a Classic Avo with its Ecuadorian Connecticut wrapper this would be a perfect way to teach a new cigar smoker the difference between natural and maduro flavors. It’s also a great example of how a rough looking, manly maduro can be incredibly clean and mild.

The robusto in this line runs around 5 to 6 USD before tax. A great price for the quality you’re getting.

Final Score: 86

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~cigarfan

Blue Label Robusto

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I was a little wary at first of a cigar called “Blue Label.”  Not Gran Habano Blue Label, or STC Blue Label…just Blue Label. This generic sounding name has been used before — in fact, one large online retailer sells both this Blue Label and their own house brand Blue Label, not to mention the Legends Series Blue Label, and the Don Pepin Garcia cigar popularly known as the “Blue Label.”  Aside from the confusion this might engender, it just seems like bad advertising — it doesn’t distinguish the product, and it doesn’t entice the consumer. What would you prefer — a luscious looking double-banded Alec Bradley Tempus, or a homely Blue Label?

Some History

Curiously, the Blue Label has a history in cigar lore, which may or may not have anything to do with the naming of this particular cigar. The original Blue Label wasn’t a blend or a brand; it was the mark of labor union approval.

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The Cigar Maker’s International Union was formed in 1864 in New York City. A fourteen year old cigar maker named Samuel Gompers joined the Cigar Maker’s Union that same year and within ten years became the president of Local 144. In 1881 he helped form the American Federation of Labor (AFL.)  Gompers was eventually elected president of the AFL and is recognized today as a key figure in American labor history.

The Cigar Makers’ Union was one of the first to use labels to distinguish its products — this allowed union members and supporters to buy “union made” whenever possible, and to boycott non-union products. Label committees were formed to determine the conditions under which companies would be allowed use of the label, label custodians and secretaries within the organizations were appointed to administer the union policies, and label “agitators” promoted the use of the label and agitated against non-union made products.

In the official publication of the Cigars Makers’ International Union, members were encouraged to enter poems and songs rejoicing in the glory of union-made cigars:

The Blue Label

Now, friends, if you will listen to what I’ve got to say,
I promise not to keep you long, or ask you any pay,
I want to ask a favor, you’ll agree it is no joke;
please ask for “union” made cigars whene’er you want a smoke

They’re made by good mechanics, they’re made for all mankind;
And if you roam the wide world o’er, no better will you find,
So, boys, be up and doing, be as sly as an old fox,
And see that the “Blue Label” is pasted on each box.

— Fred M. Williams of Union 427, Rahway N.J.

union-adWithin other cigar unions the label had more insidious uses: when Chinese immigrants flooded the country in the late 1860’s, many of them found employment in cigar factories. Displaced or disgruntled white workers formed the Cigar Makers’ Association of the Pacific which subsequently issued cigar box labels reading, “The cigars contained in this box are made by WHITE MEN.”

For good or ill, the label was a big deal. The Cigar Makers’ International Union developed several different labels over the years, finally settling on a standardized blue label in 1880. Details of the labels continued to change, frequently enough that these changes are often used today by collectors to date cigar boxes.

So what does that have to do with the Blue Label Robusto? Maybe nothing. But the Blue Label itself is nothing new to the cigar world.

The Cigar

The Blue Label robustos I’ve been smoking lately (while reading hundred-year old cigar trade papers) are made by Guillermo and George Rico of Gran Habano fame. They are produced in the STC factory in Danli, Honduras, and are available in the four standard sizes:

  • Churchill – 7 x 50
  • Corona –   6 x 44
  • Torpedo – 6.5 52
  • Robusto – 5 x 52

Only partial information is available about the blend:

  • Wrapper: Habano (country of origin unstated)
  • Binder: Corojo (country of origin unstated)
  • Filler: Honduran, Nicaraguan, and Dominican

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Construction Notes

The robustos are finely crafted cigars — the wrappers are a semi-glossy colorado claro, consistent in color and smooth in texture. The heads are soundly triple capped and are very attractive. They are rolled rock solid and feel heavy in the hand. All samples drew very well with either a punch or a guillotine cut.

The burn was a little lopsided at times, but always self-correcting. The yellowish-gray ash was a little crumbly, but held on long enough not to create a mess in my lap.

Tasting Notes

The Blue Label starts off with an intensely earthy flavor, very similar to the Gran Habano No. 5 Corojo. A mouthful of dirt is admittedly an acquired taste, but I’m afraid I have acquired it. This flavor does slowly dissipate, turning to oaky wood and vanilla in the middle section, and finally gets a little nutty toward the end. On the other hand, if earthy is not your thing you probably won’t get past the first inch.

The spicy cedary aroma is a really nice touch — ginger and cinnamon or nutmeg, that sort of thing. It’s light enough that it doesn’t overwhelm the medium-strength flavors on the palate, but it’s assertive enough to make a noticeable and pleasant contribution.

The finale is mildly peppery and more powerful than expected.  It’s certainly not a heavy hitting smoke, but they may sneak up on you if you’re smoking quickly and not paying attention.

Retail price for a box of Blue Label robustos is around 60 USD (even less at auction) making this a great blue collar cigar… assuming you can make it past that peaty first inch.

Final Score: 88

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References

Once a Cigar Maker: Men, Women and Work Culture in American Cigar Factories, 1900-1919 by Patricia A. Cooper, 1987

Encyclopedia of U.S. Labor and Working-Class History, edited by Eric Arnesen, 2006

Cigar Makers’ Official Journal, Feb 15, 1903, Chicago.

~cigarfan

Tabacos Baez Monarcas

Baez is a small town in the Villa Clara province of Cuba where in 1950 our hero José “Don Pepín” Garcia was born, presumably with chaveta in hand.  (The first infant ever to cut his own umbilical cord!) Tabacos Baez, a newish blend from Tabacalera Cubana, is named for that town.

Of course, Tatuaje’s Cabaiguan was also named for Pepin’s hometown. So was Cigar King’s Sancti Spiritus.

baezI’m sure if we were to scry deeply enough into the crystal ball of Pepinolatry that some clarity could be found — maybe in the fact that the provinces of Villa Clara and Sancti Spiritus are contiguous and were at one time two separate parts of one province called Las Villas, and Cabaiguan is a city within Sancti Spiritus. Or perhaps we’d see that Pepin is a quasi-religious figure in these lands and thus his birthplace is claimed by competing bands of disciples  — or we could just forget the magic carpet ride and smoke a cigar.

The Tabacos Baez brand name was at one time owned by Pete Johnson’s Havana Cellars, at which time they were the best of the student-rolled cigars coming out of Pepin’s factory.  In a Cigarcyclopedia.com article from July 2007, Pete said:

Tabacos Baez is one of those things we use for factory seconds or student-rolled cigars. We use that brand name for cigars that Pepin has trained people on. If [a batch of student-made] cigars seems good to me, we pack it up as Tabacos Baez. It’s gained a little cult following, since people found out that they are student-rolled cigars and are half the price. It’s made from similar leaves [as Tatuaje]; if a roller knows how to blend them properly, they’re pretty good.

The Tabacos Baez name appears to have passed back to El Rey de Los Habanos, and from the looks of things they are no longer student products. At around 7 or 8 USD retail they aren’t “half the price” either.

There appear to be three sizes available at the moment:

  • Monarcas (toro) – 6.5 x 52
  • Favoritas (belicoso) – 5.5 x 52
  • Robusto – 5 x 50

Some sites state that the wrapper used here is Connecticut Shade, others Ecuadorian Connecticut. I’m inclined to think that it is Ecuadorian Connecticut from the way that the cigar performs — it has that creamy, slightly salty flavor that I usually get from ECCT, and with its wide, almost parallel, veins it looks like Ecuadorian leaf.  It’s also a little darker than typical shade tobacco.

The balance of the tobaccos in this cigar are Nicaraguan, as you’d expect from Don Pepín.

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Construction Notes

This is a stout and well packed cigar that scored perfectly in terms of appearance and roll. The wrapper is a smooth and oily golden brown and the triple cap is a work of art. A gorgeous stick.

The draw is good, but a couple cracks in the wrapper resulted in thin smoke volume at times. The cracks were small and near the foot, so I burned through them in short order. The burn was a little erratic at first, threatening to tunnel (which it did not) and it required a couple of corrections. After the first third these problems unnaccountably disappeared and the stick behaved perfectly.

Tasting Notes

The first half-inch of the Baez Monarca is hallmark Pepin — an aggressive peppery bite, accompanied by a slightly greenish tasting tannin. The wrapper contributes a smooth buttery element — at this point it’s reminiscent of the 601 Connect, also blended by Pepín. But soon the bite subsides and the flavor slides into mild cocoa. The aroma becomes more pronounced, somewhat floral and slightly caramel-like, almost like a mild corojo.

The middle section is quite mild in flavor while remaining a little tannic. The smoke texture is medium in body, mild in strength, and short on action. There are lightly spiced woody flavors here, but unless smooth and uninteresting is your thing you might want to get a book.

The last section returns with the black pepper that kicked things off, though not as intense and less tannic, and a dry finish that begs for a liquid refreshment.

This blend definitely goes through some changes, but they aren’t dramatic ones. The first inch of this cigar reminded me of EO’s 601 Connect — a relatively robust Pepin creation with a Connecticut wrapper — but the rest of this Tabacos Baez reminded me of a knockoff Cabaiguan. The flavors were smooth and familiar, but not as refined –or as interesting — as the Cabaiguan. (It even had some of the construction issues I’ve experienced with Cabaiguan.)

Overall, this is an above average smoke that just about anyone will enjoy. But for the same price (around $7 a stick) or only slightly more, you could be smoking a Cabaiguan Coronas Extra (about $8 each). If that’s the style of cigar you enjoy, as indeed I do, I recommend you compare and invest accordingly.

Final Score: 87

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Other Points of View

The Baccy Bodhisattva meditates on the Monarcas

Lisa selects a Monarcas from Her Humidor

George meets the Quick Smoke deadline with a Monarcas for Stogie Guys

~cigarfan

Montecristo Reserva Negra Robusto

montecristonegraAltadis USA is engaging in extension frenzy once again with its Montecristo Reserva Negra, increasing the number of Montecristo blends currently available  to seven.  Introduced last summer, this is the first “official” Montecristo to arrive dressed in a maduro wrapper, and it’s a dandy.

I was really surprised by the appearance of this cigar, since I expect nothing less than sheer class from Montecristo — the wrapper on this stick is a lackluster dark brown color, a matte brown (if there is such a thing.) It is strangely lacking in oil, which I find a little off-putting in a maduro. If it weren’t for the elegant looking band I would not take it for a premium smoke at all.

This unprepossessing wrapper is a product of Mexico. I see you eyeing the exit sign, but stay with me for a minute, because the San Andres valley produces some stellar maduro.

veracruz

Situated in the mountains of the coastal state of Veracruz, the San Andres valley is in an area called “Los Tuxtlas.” The region is dominated by dormant volcanoes and the giant lake Catemaco. Agricultural activity has being going on here for over 5000 years, and today the Cuban expatriates who grow tobacco in San Andres are adding to that history.

The soil in San Andres Tuxtla has been compared to that of Cuba’s Vuelta Abajo — a mixture of rich clay and volcanic sand. I suppose every cigar producing country has their “just like Cuba” claim — for Mexico, this valley is their Pinar del Rio.

The major tobacco producer here is Alberto Turrent, a fifth generation tobacco man whose great-grandfather used to throw seeds randomly on the mountainside and return a month later to find healthy plants big enough for replanting in the field. Today the process is of course more controlled, but the soil and the climate are the same.

tuxtlas1Several types of tobacco are grown here, including the leaf for Mexican puros like Te Amo and A. Turrent cigars, but what I’m primarily interested in are the crops destined to become maduro — what is usually called San Andres Negro or San Andres Marrón. (I’ve seen it spelled Morrón and even Moron, but since Marrón means “chestnut brown,” Morón is a hill, and Morrón isn’t in mi dictionario —  I’m going with Marrón.)

San Andres Marrón is fairly rare. It’s used in a few other Altadis made cigars: Gispert Maduro and Saint Luis Rey Maduro as well as the new H. Upmann Reserve Maduro but very few others. San Andres Negro is what you usually get with a Mexican maduro wrapper — a shiny nearly oscuro colored maduro leaf. If I had to guess I’d say this is why the Marrón is used so infrequently — the appearance. But as far as taste goes, Brown is the new Black.

The Montecristo Reserva Negra is available in five sizes, all of which are slightly larger in diameter than is traditional:

  • Churchill – 7 x 56
  • Belicoso – 6 1/8 x 52
  • Toro – 6 x 54
  • Robusto – 5 x 54
  • Corona – 5 x 44

In addition to the San Andres Marrón wrapper this line utilizes a Nicaraguan binder and fillers from Honduras and Nicaragua. All cigars are square pressed.

Construction Notes

I’ve gloated about the wrapper already, but believe me, my appreciation is not based on appearance — the wrapper looks like it’s been soaked and dried in the sun, and there’s a glue smear or two for emphasis. Without the snazzy black and gold Montecristo band this would be one seriously ugly duckling.

The robusto is a heavy cigar that feels very solid in the hand. It’s nicely packed, and the draw has just the right amount of resistance. It burns very slowly and consistently, making this a good 60 minute smoke. The ash is a little bit flaky at times, but it holds and falls firmly when tipped into the ashtray. The burn was mostly even, better than average for a square pressed cigar. Overall the construction values here were excellent.

Tasting Notes

It starts out deceptively mild, with an herbal or grassy base, to which the wrapper contributes a rich baker’s chocolate and mild spice. The smoke is very smooth and creamy in texture.

In the second stage the grassy flavor turns woody with a slightly sharp tang that I find in many Nicaraguan cigars. The chocolate overtones mellow a little into cocoa, but the aroma is still sweet and very enjoyable.

The final section takes on an oaky flavor and gets gradually spicier. The woody flavors at last become more leathery, and the finish is concentrated. Lots of black pepper. And lest I forget, a pretty serious nicotine kick. I wasn’t expecting it, but this is one of the heavier hitters in the Altadis lineup.

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Conclusion

All appearances to the contrary, this is a delicious maduro, the best I’ve smoked in many months. It’s smooth and gentle to start but then it picks up speed, eventually becoming full-bodied, spicy, and fairly powerful. The transition isn’t dramatic, but it provides just the right amount of complexity. Combined with excellent construction values,  this is a very high quality stick.

At around 8 to 10 USD per stick or $160 for a box of 20, it’s not an inexpensive smoke, but I daresay it’s worth it. I don’t go crazy for too many Altadis cigars, but this is one I’ll be thinking about when I hit the B&M next time around.

Final Score: 90

~cigarfan

Arturo Fuente Don Carlos Vertical Review Pt. 2

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While sitting on the patio with the Don Carlos robusto last night I had a flashback to the first Don Carlos I ever smoked. It was about four or five years ago, and I was really looking forward to it as a “super-premium” special occasion kind of cigar. Prepared for a glorious experience I blazed it up on a star-lit summer night and sat back, waiting to be enthralled.

It didn’t happen. I thought it was a fine Cameroon style cigar, but not leagues beyond the Hemingway, or even the Chateau Fuente. The additional expense just didn’t translate into additional enjoyment that night, probably because my expectations were too high. I couldn’t complain, because it was an excellent cigar, but still I felt let down.

Now, several years later,  my approach is a little different. I’ve read the reviews, sucked up the hype, smoked the cigars, and snatched the pebble from the torcedor’s hand.

Most importantly, I’ve learned not to let price interfere with my expectation or cloud my judgment of a cigar. It’s not that price doesn’t matter — of course it does, especially in these uncertain economic times — but it doesn’t bear a direct relationship to the quality of a cigar. If you don’t believe me, get yourself a $30 Stradivarius and let ‘er rip.

So forget that the Arturo Fuente Don Carlos costs ten or twelve bucks a stick.

For the story of the cigar and biographical info on the Fuente enterprise, click here: Lucky7’s review of the double robusto. The long and short of it is that this is a special blend created by Carlos Fuente Sr. that incorporates Dominican tobaccos from the Fuente farms, capped by an exquisite Cameroon wrapper.

afdoncarlosdr

Double Robusto

At 5.75 x 52, the Don Carlos Double Robusto is a slightly longer, slightly fatter version of the standard Robusto. It doesn’t differ in appearance from others in the line — a sandy textured Cameroon wrapper surrounding a well rolled parejo, topped off with the customary Don Carlos glue smears.

It starts off a little bland, but after a half inch or so this cigar really warms up and gets to work with a soft cedary aroma and a toasty demeanor. Core flavors are nuts and cedar and the finish is dry. The sweet spice from the Cameroon wrapper contributes a minty element that at times tastes almost like anise.

By the mid-point of the cigar the smoke is creamy and has built up a more solidly woody flavor — more like oak than cedar, complemented by a cherry vanilla accent. The sweet spice from the wrapper continues, creating a complex brew of tastes and aromas.

While the Don Carlos is by no means a bruiser like Fuente’s Opus X cigars, the final section is fairly serious, kicking in a heavier dose of leather with black pepper. The sweetness begins to fade and the woody flavors become increasingly earthy. The finish grows longer and starts to muddy a bit near the band.

afdoncarlosrobusto

Robusto

Despite the fact that the 5 x 50 robusto is only a bit smaller than the Double Robusto, it seems to have a very different personality. The flavors are generally the same, but the robusto is a little feistier than the double.

It picks up where the double robusto leaves off — with a spoonful of black pepper dropped on the back of the palate. The aroma is a little less subtle as well; it’s not quite as soft but is still minty in nature, like crushed eucalyptus leaves. Not quite that strong, but more potent than most Cameroon wrappers.

Unfortunately this particular cigar decided to challenge me with some construction issues after an inch or so. When the burn went sideways almost immediately I thought that I hadn’t lit it correctly. A good blast from the torch and a stern reprimand and I figured we’d be back on track. But no.

After an inch or so I noticed that the stick seemed to be burning hot, and the flavor was getting a little ashy. I looked at the cinder and noticed that the wrapper was no longer burning, while the filler smoldered on. Despite my best efforts to rehabilitate this delinquent it appeared that my robusto was headed for reform school.

There’s only one way to deal with a tunnel if you hope to salvage an errant stick: shut it down. I put the cigar in the ashtray and let it extinguish itself. Ten or fifteen minutes later I clipped the cigar about a quarter inch below the ash line. I expected to find a hole, but the filler looked like it was solid and just slightly charred, so I relit it, hoping for the best. The first few puffs were positively acrid but after a minute or two the flavors began to clean up and become recognizable. The wrapper was burning in synch. Things were looking up.

The remainder of my now half-robusto was actually pretty decent, if short lived. Oak barrel smooth with a smattering of black pepper. The sweet spicy aroma was the highlight of this sad amputee as it turned prematurely dirty tasting close to the band, probably due to the rough treatment it received.

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Conclusion

Of the five vitolas in this line that I was able to sample thanks to Cigarsdirect.com, I have to award the laurels to the Double Robusto. The Number 3 was very good as well, and the others were fine cigars too. Even the robusto had its moments, despite what I think was a rare construction defect.

All told, this is one of the great Cameroon cigars, but is it worth the price? Yes, I think so, if your cigar budget can handle it.

As I think back to my initial impression of the Don Carlos robusto, lo these many years ago, I think my expectations were indeed a little too high. Sometimes a Don Carlos is just a Don Carlos, and for Cameroon lovers, it’s a must try.

Final Scores

Don Carlos Double Robusto: 91

Don Carlos Robusto: Incomplete

~ cigarfan

With thanks to Cigars Direct

Cruzado Dantes

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Cruzado cigars were introduced to the world in an unorthodox fashion last summer when the cigar’s creator, Dion Giolito of Illusione fame, decorated his booth at the IPCPR with pictures of the cult leader Jim Jones. There were those in attendance who immediately condemned this as offensive and in poor taste, which of course it was. But it was more than that, I think. Instead of drawing customers in with the treacle of bikini girls and tv celebrities, he seemed to be challenging us with a twisted kind of advertising archetype, an image of charismatic evil. Instead of hawking his new product (which is what the show is for)  he was offering a crowd of starry-eyed cigar fans an opportunity for self reflection, if not outright criticism. At the very least it was unexpected.

Ultimately it was more of a comment on the cigar industry (and perhaps the show itself) than anything else. If it showed disrespect for anyone it was the ad execs who drive the cigar business, or whoever the guys are who mix the industry’s Kool Aid. And while I can see his point (without taking it quite so seriously) I think letting Jim Jones to do the talking was a somewhat sideways approach. Provocative, yes, but maybe more dramatic than necessary.  Gutsy though, definitely gutsy.

Later in the show a sign appeared plastered over the multiple faces of Jim Jones : SOLD OUT. I found this ironic on about seven different levels, but I’ll spare you the post-modern mumbo jumbo.

Since then the controversy has subsided and the reviews of Cruzado have been almost uniformly excellent — the cigar has scored very well with the mainstream press, the blogs, and the guy in the shop who told me I was really going to like it.  (Okay, maybe the last guy was selling me a little Kool Aid. But it did win the Zennie for 2008, which carries more weight with me than a retail pitch.)

Illusione is a pretty punchy cigar. Cruzado was designed by Giolito and Arsenio Ramos of Raices Cubanas to be a little less potent  than Illusione by substituting viso for ligero in the filler and by easing up on the corojo content in the blend. As Giolito told Blog of the Leaf:

Whereas Illusione is a corojo blend with one component of criollo, Cruzado is a criollo blend with one component of corojo. Illusione exhibits an earthy sweetness in the olfactory sense. The profile of Cruzado is more forward on the palate with leather and spice.

Six vitolas are available, all of which have relatively narrow ring gauges:

  • Avalitos: 4 x 46 (petit robusto)
  • Dantes: 5 x 48 (robusto)
  • Domenicos: 5 5/8 x 46 (corona gorda)
  • Elitas: 6 1/4 x 44 (corona larga)
  • Marios: 7 x 47 (churchill)
  • Marelas: 5 5/6 x 46 (perfecto)

They are produced at the Raices Cubanas factory in Honduras using Nicaraguan criollo wrapper, a Nicaraguan binder, and filler from both Nicaragua and Honduras.

The Dantes is Cruzado’s robusto entry, though the 48 ring makes it seem almost like a short churchill. The wrapper is rustic, a little rough, and the bumpy texture of the binder beneath is easily seen on the surface. The head is triple capped with an attractive pig tail.

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The pre-light characteristics are unremarkable, but the draw is spot on perfect. It lights up easily and gets things started with a bang — I was expecting a milder entry compared to the Illusione line, but the peppery overture with which this cigar starts is every bit as bold.

After half an inch or so the Dantes eases up a little and the differences between this and Illusione become evident. Cruzado lacks the same hickory/hazelnut flavor that makes Illusione so distinct. Instead I pick up freshly cut hardwood with an elusive sweetness on the edge. I’m not sure what it is…caramelized sugar maybe? Occasionally I’ll pass a little smoke through my sinuses to aid in my investigation, but I found the Cruzado to be a little too strong to do this comfortably.

The aftertaste is long and earthy, and it stays that way for the duration. The Dantes burns slowly and evenly, wavering only a little here and there, and builds a solid dirty gray ash.

The mid-section brings out some cocoa/chocolate flavors and continued earthiness on the palate. The last third is almost Honduran tasting — thick lashings of leather and pepper, almost like a Camacho Corojo, but lighter and more refined. And finally, as the band approaches, there are some hickory notes on the nose that are reminiscent of Illusione.

My expectation was that Cruzado would be a much lighter cigar than Illusione, but that was not my experience. It may be a tad lighter, but not by much, and it’s certainly not a lighter formulation of the Illusione blend. (For that, I might recommend the Illusione ~mk~, which is a brilliant cigar in its own right.)

The Cruzado Dantes wins big points for complexity and style — there are some distinctly unusual flavors here, and they’re all balanced very well. Keep in mind that this is still a very Nicaraguan cigar and it comes with the bite — and the buzz — typical of the breed. Like Illusione, Cruzados are not easily found, but at around 8 dollars per stick they should be in the sights of medium to full-bodied cigar fans everywhere.

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Final Score: 88

~cigarfan


Other Reviews

Matt gives the Elitas an A+ but has some trouble with the Marelas

Barry awards the Marelas a whopping 96 points

A nice guest review of the Marelas at Stogie Review

Doc give the Dantes a thorough physical for the Stogie Fresh 5

Camacho Havana Monarca

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I make no apologies for being a cigar fiend, but I’m aware of the impact that fiendish behavior has on the cigar market. If it were just me and a handful of fanatics, it wouldn’t be such a problem, but it’s not. It’s you. And you. And you. The root of the problem is that cigar fiends like us are always on the prowl for a new blend, regardless of the number of sweet smokes already available. Hence old companies with reputations that have stood the test of time must needlessly reinvent themselves, trowel vanishing cream over well-earned wrinkles, test out new crops, whip up new blends, and conjure up flashy new ad campaigns.

Or sometimes, they just repackage the brand and get a new band design.

It’s hard to believe, but the Camacho Havana cigar has been around for over forty years.  I would guess that the blend has changed somewhat over that span of time, but from talking to old timers it sounds like it hasn’t changed that much. Back then it was considered more of a full than a medium-bodied cigar, but that was before the heyday of the heavyweights. By comparison with Camacho’s Corojo and Coyolar (and Triple Maduro and so on) the Havana is a sweetheart. But it’s still fairly steely when compared to the mainstream blends popular a few decades ago.

Like the majority of Camacho’s blends, this is a Honduran puro– the wrapper is a Criollo leaf from Jamastran and the innards are Honduran corojo. Available in twelve (count ’em) twelve sizes, there is a stick to match any desired duration. Today’s target is the 5 x 50 Monarca.

In 2007 the boxes were reengineered to display better on retailer’s shelves, but I’m not sure why the bands were changed. Perhaps to appeal to the short attention span of your average cigar fiend? Lookie! It’s NEW!

The new gold band surmounts a mediocre looking cigar — the wrapper is lackluster and the roll a bit lumpy, but the cap is triple wrapped and tight. After slicing off the cap with a guillotine cutter I notice the draw is free and easy. Maybe a little too much so.

camhavana2

The first flavors out the gate are earth with a touch of pepper. Compared to the Camacho Corojo toro I smoked last weekend, the Havana is positively friendly. There’s no fight to this guy at all — just an easy cruise down the boulevard with the top down.

To accompany the loose draw is a fast burn, but it never overheats or gets bitter. It’s just a little too quick for my liking. The ash also has a tendency to blossom — the wrapper ash curls out and either breaks off or blows away.

Midway through the cigar I notice a creamy texture to the smoke — a little unusual for this brand. The flavors are still earthy — mineral and salty notes — and the aroma is slightly sweet. I noticed this with the aged Camacho Havanas I had last year — the aroma is of mild ginger and wood. A more powerful filler blend would overwhelm these delicate elements, but there’s a fine balance here.

I wouldn’t call the Camacho Havana a terribly complex cigar, but it has enough weight and spice to keep my interest for the 30 minutes it takes to smoke one — my only complaint is that 30 minutes seems unduly short for a robusto sized cigar (for me, anyway.) I think the Corojo will remain my mainstay blend from Camacho, but the Havana is a worthy medium-bodied alternative.

Prices vary, but it looks like a box of 25 is running around 100 bucks. Eminently reasonable, and a steal at any lower price.

camhavana3

Final Score: 83

~cigarfan

Cabaiguan Petite Cabaiguan

cabaiguanpetite

I’ll admit it. I’m no Shackleton. With a little nip in the air this week I’ve been reaching for the small stuff — RP Sungrown PCs, AF Hemingway Short Stories, and these Petite Cabaiguans — in an effort to grab a quick smoke without freezing my phalanges off.  I mean, seriously, it’s been in the low 40’s. It may be a cliche, but it’s true about the desert: it’s not the cold, it’s the aridity.

shack1

Not Pete Johnson

And even though I miss having my long leisurely apres dinner smoke, I’m happy to say that all of the small sticks I’ve had this week have hit the spot, including this Petite Cabaiguan.

Most folks are familiar with this line by now — it’s made by Pepin Garcia’s crew for Pete Johnson, best known for his Tatuaje cigars. It’s usually characterized as a milder version of Tatuaje, but I think the blend really stands on its own without that comparison.

The filler and binder are Nicaraguan, though I have to wonder how much of each is required for a cigar this thin. The wrapper is a gorgeous Ecuadorian Connecticut leaf that ultimately steals the show.

The only problem that I’ve ever experienced with Cabaiguan is the occasional tight roll. I’ve had no such trouble with these unbanded 4 1/2 x 32 Petites. Every one has drawn perfectly. They’re rolled firmly with the expected triple cap (even on this tiny vitola they cut no corners) and are as attractive in miniature as my preferred Corona Extras.cabaiguanpetite2

The Petite Cabaiguan has a crisp flavor that will be familiar to anyone who has smoked the full size cigars in this line — it starts out cedary with a citric accent and a delicately floral aroma. The smoke is creamy and about medium in body, though less so in strength. The smoke production is limited by the ring gauge, but there is still plenty of flavor to go around.

For a small cigar, the Petite is quite complex — cedar, earth, citrus and floral qualities all emerge at different points in its 20-minute career. Despite the lack of a transition in flavors it’s a far more interesting smoking experience than anyone has the right to expect from such a little guy.

Aside from its role as my inclement weather friend, the Petite Cabaiguan would be perfect for a coffee break smoke. At 150 USD for a box of 50 it’s not exactly a budget quick smoke, but given the quality of this cigar the asking price is within reason.

cabaiguanpetite3

Final Score: 88

~cigarfan

Troya X-Tra Cetro

troyaxtra

When Britain’s Imperial Tobacco swallowed up California’s tiny Lignum-2 last summer for a paltry $22 million they were primarily interested in Lignum’s budget cigarette line called “Rave.” I’d never heard of Rave, nor have I any interest whatsoever in cheap cigarettes, but I was momentarily alarmed by the news because Lignum-2 owns one of my favorite premium cigars: Troya Clasico.

Imperial’s acquisition means that Altadis USA will take over distribution. When I saw an Altadis sales rep in the B&M the other day I had to ask him about the fate of Troya Clasico. He said “I think that’s the one they’re keeping,” and that the other lines would most likely be re-blended, or dropped and replaced with other lines.

Which makes sense — if they are going to keep any of the lines it has to be the one Don Pepin Garcia makes. It’s the only DPG blend Altadis owns. Even if it isn’t their best seller, it might be their best cigar.

So it was no surprise when I began to see Troya X-tra Cetros for under 2 dollars a stick in clearance sales and on the auction sites.  A premium cigar for under two bucks? Hell, I’ll try it, even if the line is on the endangered species list.

The traditional Troya is a mild-mannered Dominican blend that was unveiled way back in 1985. The X-Tra was released in 2004 in response to the demand for fuller bodied cigars — it’s a Nicaraguan puro featuring a Corojo 99 wrapper and binder surrounding a criollo filler in the core.  Sound familiar? According to the manufacturer, Pepin had a hand in the early development of the X-Tra, though he was not the sole blender.

The X-Tra line is available (for now) in five sizes which are numbered, as all Troya cigars are, in rather mysterious fashion:

  • No. 18 – Robusto
  • No. 54 – Toro
  • No. 63 – Churchill
  • No. 81 – Torpedo
  • No. 45 – Cetro

The first four are standard size vitolas, but the Cetro is a little unusual. At 6.2 x 45 it’s basically a gran corona.

The wrapper is a rich dark colorado maduro with a few veins and a grainy texture. It’s not the prettiest wrapper around, and the cap is nothing to look at either — just a single flap slapped on tight. But the roll is solid and the cap shears off nicely. The prelight scent is horsey.

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I’ve tried these in batches of five from three different boxes and have found the draw to be a little inconsistent. Some of them had a perfect draw, some were a little tight. The tight ones were still smokeable, if a little annoying.

First light impressions were that this is a nice medium-bodied Nicaraguan style cigar — lots of corojo sweetness over a base of leather. The coffee and caramel notes that are typical of Nicaraguan corojo are the primary players here.

Aside from the minor draw issues that some of these exhibited, construction values are good: most of them burned plumb-line straight, and the resulting ash is strong and tight.

The mid section seems to me a little juicier than the first, almost fruity at times. As it winds down to the close there isn’t too much of a transition and the cigar doesn’t get much more complex: just continued caramel-tinged coffee that combines with the leathery aroma to create a satisfyingly simple package. It’s somewhat similar to an aged Famous Nicaraguan Corojo.

If there’s anything “extra” as this cigar burns past the secondary band it’s a slight burn at the back of the throat — this is typical of  mid-range Nicaraguan cigars, and is quickly cured with a swig of iced tea or cold beer. That’s really the only fault I could find with this cigar.

The Troya X-Tra is a pretty decent smoke at its regular price, but at closeout prices around 50 USD for bundles of 24 it’s fantastic. If you’re looking for a deal on medium-bodied Nicaraguan corojos, this is a nice pickup. Better be quick about it though.

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Final Score: 88

~cigarfan

JFR vs. JFC

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A while back I reviewed a cigar that I thought was a real find: the JFR by Tabacalera Tropical. The reputation of this cigar has spread without the benefit of advertising and it has earned a nice following.

The “Just for Retailers” cigar is produced by Tabacalera Tropical for sale by authorized purveyors of fine tobacco products — for retail sales only. Now this makes good sense. Tropical is doing brick and mortar establishments a service by providing a quality product that is available only in stores. You and I have to peel ourselves off the couch and roll our ponderous selves over to the shop to get our JFRs. While we’re there we’ll probably pick up a few other goodies — and this is great for the stores. So far so good.

Now why would the same manufacturer turn around and offer the same great blend to a well-known cigar supergiant for internet sales — doesn’t this defeat the purpose of the retailer-only concept? If I were a retailer I’d be spitting bricks, unless… they were actually different cigars. If the retail version were of considerably better quality, that might make some sense. A little, anyway. Let the B&Ms sell the real deal, pawn the seconds off on the internet. Hmmm…jfr-jfc-caps1

So the question remains: is there any real difference between the “Just For Retailers” cigar and the “Just for Catalogs” version? I picked up a few of each and pitted them against each other on successive nights this week.

They are virtually indistinguishable except by the flagged foot of the JFR. Both score highly in the aesthetic department — rich looking oily wrappers that bear tight triple-wrapped pig tailed caps. In terms of appearance these babies could compete with anything coming out of El Rey de Los Habanos. Very nice.

JFR Super Toro

The pre-light characteristics of both the JFR and  the JFC were similar — horsey with a touch of leather. Nothing to complain about there. Good draw, easy light.

As I’ve mentioned before, the JFR has a sweet nutty flavor that reminds a lot of Illusione cigars. It’s almost like candied hazelnuts. The aroma is leathery — combined with the sweet flavors that later pick up some coffee notes, the overall sensation is quite complex. Add some oak and a touch of vanilla. There’s a lot going on here.

After the mid-point the JFR gets much heavier, earthier, spicier, and aggressive. While the first half of the cigar is relatively smooth, the second is pretty rough. My previous experience with this smoke has been that I can’t smoke it much past the half-way point, but lovers of heavy Nicaraguans will probably feel differently.

Some of the JFRs didn’t burn as well as I’d hoped: a few corrections were necessary to keep the burn even, and the draw felt a little bit loose at times. On the other hand, they all burn with a slow determination. This is at least a 90 minute smoke for me.

jfc

JFC Super Toro

The JFC is a much less boisterous cigar. It starts out with a mild woodiness and just a hint of the sweet nutty flavor that the JFR brings to the fore. The JFC is not as sweet and doesn’t have the JFR’s oak-and-vanilla component, but the aroma is somewhat similar — leathery, but at a reduced volume. There simply isn’t as much flavor here.

On the other hand, it’s a much easier cigar to smoke. The first half is smooth going and though it picks up speed in the second half it never gets truly aggressive. The construction is also a little better — it burns evenly without needing touchups and the draw is more consistent.

What the JFC lacks that the JFR has in spades is complexity. Both are fine cigars, but they seems to have different temperaments entirely — the JFC is smooth and simple; the JFR is bruising and complex. Both good cigars, but not the same.

jfash

Even the ash looks different: the JFR (left) produces a dark ash akin to some Cuban cigars, while the JFC’s is lighter, like what you’d expect from more completely fermented tobacco.

Bottom Line

The” Just For Retailers” and the “Just for Catalogs” cigars are not the same blend. Both are good cigars, but the JFR is a much fuller bodied, more complex cigar with some minor construction issues. The JFC is a smooth smoking, flavorful but not very complex smoke that exhibits much better construction than its brother. I give them both passing grades, but the JFR gets the nod for its more robust flavor.

Final Scores

JFR: 86

JFC: 84

~cigarfan

Postscript: I just went back to the cigar supergiant website to see what the going price is for JFCs, and they appear to be out of production. So much for that…